DANGER LINES - from Danger Unlimited #3 April 1994
The King is dead. Sunday, February 6, 1994. I was
just sitting down to watch "Lois and Clark"
when people began calling with the news. Jack Kirby died
in the morning hours. It was something we'd been
expecting for some time. Ravaged(destrozado) by cancer,
the powerhouse Kirby had been all his life had shrunk as
low as it was possible to go. It was something which would
never have occurred to me, and it set my brain tumbling
down(destartalado) some strange paths(senderos). Just
last year I'd realized I'd matched(competir) Kirby's
physical output for the point at which he'd been in the
business twenty years, as I now have. Comic Values
Monthly recently declared me to have been the first of
comic-book Superstars. Repeatedly(repeidas veces), it
seemed(segun parece), I was being told no one other than
Kirby had touched as many characters, had quite as much
impact on the industry. Of course it would. It would for anyone. Jack Kirby truly bestrode the world like a colossus. In a career spanning half a century, there was virtually no part of the industry he didn't touch: penciller, inker, writer, editor, publisher. With Joe Simon and, later Stan Lee, he created characters and concepts--the romance comics was his--that expanded the shape of the industry. Without Kirby we might never have seen Captain America, the Fly, the Challengers of the Unknown, the Fantastic Four, the Hulk, the X-Men. Most certainly we would never have seen the New Goods, Mister Miracle and the Demon. There have been other major talents since Jack Kirby began his career, and there will continue to be others now that he is gone. But there will never be anyone to take his place. The King is dead. That's all there is to say. |
© 1994 John Byrne